I started the process by looking at real shots of Australian farm lands and was drawn by the colours and shapes in the land. I added this concept into my set design through the painted floor and wall treatment.
The family home set piece was created from pallet wood and the asymmetrical geometric shape was developed as a response to the need of fluid floor space for the performers to use. I mapped out not only the performers movements with the director but where locations in and around the house would have been had the house stood there in real life. This helped to create a functional and identifiable symbolic set.