This work integrated live performance with pre-recorded work connecting with the dancers on the screen and stage through very well timed movement. The work was a remount, however it was important to the choreographer to incorporate a local context. While creating my designs I employed my fabric colour choices to complement the limestone of both the film location, Fremantle Prison, and the performance venue, Quarry Amphitheatre.
The work needed the design to amplify the removal individuality and persona. I added the grey hair and make-up aspect to the design to create a uniform look. This was also important as the dancers on the screen had to match the dancers onstage, so masking different hair colours with grey paint made any casting changes less obvious.